Illustrations by Aykut Aydoğdu
you can also find me @mary_bu__
Matt Chase: LEGO Wes Anderson
Twenty LEGO Wes Anderson characters created for Spoke Art’s annual Bad Dads exhibition, which opened in San Francisco on Halloween 2014.
–Este poema está basado en una historia real del postinternet–
–Se recomienda discreción–Un domingo una multitud de delirantes profetas atacó la Embajada de Aruba
Un domingo la señora de los jugos decidió dejar a su marido y comprarse aquel libro sobre piedras
Un domingo varios drones con misiles pasaron volando sobre la casa de Nicolás Amador en Capuchinas No. 24 Fraccionamiento Los Generales
Un domingo los buzos de la Armada Mexicana encontraron una perla valuada en 260.000 dólares
Un domingo los miembros del Club de Neón descubrieron que sus lágrimas sabían a alcohol
Un domingo @lucybombon al fin le dio unfollow a @mariorimbaud1
Un domingo en la noche unos niños se besaron por primera vez en la oscuridad de la cocina
Un domingo después de pascua las antenas dejaron de transmitir por unos segundos el informe de gobierno
Un domingo se miró al espejo y se dio cuenta de que se parecía muchísimo a su padre
Un domingo entraste a https://www.youtube.com/watch?v=cVUIbN86ZHQ y decidiste salir de la cama
Un domingo en Villa Oporto nos curamos la cruda con tacos de carnitas y algodón de azúcar
Un domingo fue el día en que se aparecieron los del ayuntamiento para cortar el árbol
Un domingo de septiembre llovió tan fuerte que el agua nos llevó a otra región
Un domingo rumbo al cementerio encontramos una pista de hojas
Un domingo rompí la cámara
Un domingo supe que ya no habría marcha atrás
Little animated boards, extracted from my music video Lighthouse / Numérobé
It has been made with the participation of Violette Loosen !
Domestic Pleasure.
I found some pornographic magazines from the 70s in my vintage book shop and combined them with flower prints - Kathrin.
Jean-Baptiste Gustave Le Gray (August 30, 1820, Villiers-le-Bel, Vald’Oise – July 30, 1884) has been called “the most important French
photographer of the nineteenth century” because of his technical innovations in the still new medium of photography, his role as the teacher of other noted photographers, and the extraordinary imagination he brought to picture making”.
He was originally trained as a painter, studying under François-Édouard Picot and Paul Delaroche. He even exhibited at the salon in 1848 and 1853. He then crossed over to photography in the early years of its development.
He made his first daguerreotypes by 1847. Early photographs included
portraits; scenes of nature such as Fontainebleau Forest; and buildings such as châteaux of the Loire Valley.More at *****contrasted gallery, Flickr.
(Source: flickr.com, via darksilenceinsuburbia)
Jim and Jamie Dutcher, determined to show “the hidden life of wolves,” lived for six years with a pack of wolves in the Idaho wilderness of Yellowstone. They came to know wolves as complex, highly intelligent animals with distinct individual personalities, who are caring, playful and above all devoted to family.
“Only a select few other species exhibit these same traits so clearly,” they note. “They are capable of not only emotion but also real compassion. This is the view of the wolf that we want to share. …it is an animal that cares for its sick and desperately needs to be part of something bigger than itself - the pack. The bond a wolf has to its pack is certainly as strong as the bond a human being has to his or her family.”
They add, “Rarely did two wolves pass each other without playfully rubbing shoulders together or exchanging a brief lick. So often we would see two wolves relaxing together, curled up beside each other.” The Dutchers also recount wolf behavior rarely documented: grief at the death of a pack mate; excitement over the birth of pups; and the shared role of raising young pack members.
But as the wolves struggle to reestablish their foothold in the American west, their public demonization continues. Say the Dutchers, “As we see wolves, once again, being shot, trapped and poisoned, we recognize that our unique experience, living with wolves, is unlikely to ever happen again, and for that reason we feel that we have an obligation to share the lives of these wolves with the widest audience possible.”
It’s not just the wolves at stake, but the entire Yellowstone ecosystem. Wolves keep the elk gene pool strong (no other predator does this); they redistribute elk herds, allowing vegetation to recover along rivers and streams, which provides food for beavers; and they keep the number of coyotes in check, which helps to maintain populations of rodents, antelopes and birds of prey.
(via darksilenceinsuburbia)
NHDK 1
NHDK 2
NHDK 3
NHDK 4
NHDK 6
NHDK 7
NHDK 8
NHDK 12
Daniel Kukla. The Edge Effect.
Artist statement:
In March of 2012 I lived in a cabin for a month within southern California’s Joshua Tree National Park. While staying in the Park, I spent much of my time visiting the borderlands of the park and the areas where the low Sonoran desert meets the high Mojave desert. While hiking and driving, I caught glimpses of the border space created by the meeting of distinct ecosystems in juxtaposition, referred to as the Edge Effect in the ecological sciences. To document this unique confluence of terrains, I hiked out a large mirror and painter’s easel into the wilderness and captured opposing elements within the environment. Using a single visual plane, this series of images unifies the play of temporal phenomena, contrasts of color and texture, and natural interactions of the environment itself.
Eugenio Recuenco. Revue
A new luxury publication showcasing the work of Spanish photographer Eugenio Recuenco has been published by teNeues. Published in tandem with the photographer’s recent exhibition at CWC Gallery in Berlin, ”Revue: Eugenio Recuenco” is the first book to present the full scope of Recuenco’s work.
Eugenio Recuenco (b. 1968) is an acclaimed photographer and film director, whose achievements in the fashion (he is known for his collaborations with fashion magazines, such as Vogue Spain and Madame Figaro) and advertisement industries have brought him numerous awards and accolades and world-wide recognition to boot. Highly cinematic in style, his still images are shot in elaborate handmade sets and tend to portray a fantastical combination of fairytale innocence with a dark, gothic atmosphere. Always interested in telling a story, Recuenco loves to bring imaginary worlds and characters to life (notably seen in his videos for Rammstein, Loewe, Chivas and Nina Ricci, to name a few). Known not only for his highly theatrical and monumental sets, his masterful treatment of light is very obviously influenced by European fine art, especially the work of theRenaissance masters, Pablo Picasso and Tamara de Lempica.
”Revue: Eugenio Recuenco” was published by teNeues in September 2013 and is available in both a standard hardcover version and a ”Collector’s Edition” of 50 copies (which includes an original, signed photo-print).


Art by Carlyn Lim

1. Si la tristeza tuviera forma sería un ancla fuera del agua.
2. Todos los minerales de mi cuerpo serían suficiente para levantar un faro.
3....


Pyotr Pavlensky.

Javier de Riba: Floors